Lies I can believe?

Intro: Em/Ab Eb/G Dm/Gb Db/F C/E Cmajb5/Gb Fm#7 Gsus4/F Asus 4 A7 Asus4 A7 Well along in the 21st hour when the whole damn grid goes down Asus 4 A7 Asus4 A7 This is how a party gets started in for a penny — in for a pound Cadd9 Asus 4 A7 Asus4 A7 All at once the whole joint goes quiet and all the wavy lines go straight Asus 4 A7 Asus4 A7 One fool among fools is wondering what happens if I die too late? F/A G7 F/A G7 Get back with your dimestore nihilism Big Daddy’s on a glory run F/A G7 C C/Db Gettin’ down on the cellular level just in case I got to call someone Dm C Bdim Am Darkling down — on a darkling plain Am G Am G In the dim dank night of the pissin’-down rain Dm C Bdim Am Darkling down — on the balls of his ass Am G Am G While he prays and waits for the storm to pass Dbm7(b5) Gb7(b9) Bm7(b5) E7(b9) Lemme show you where the good thing happens it’s a barbershop in Inglewood Too bad we won’t get past the bouncer sadly I’ve been banned for good There’s a coffee shop right ‘round the corner the proprietor knows my name Cup of joe and a Vicks inhaler now you’re ready for the big boy game Steady son come seven come eleven, if either one of us can count that high Muscatel if the deal gets dicey, milk and honey in the by and by Darkling down — it’s a damn disgrace Going round and round in a very small place Darkling down — with a hole in his soul That he can’t explain and he can’t control Dbm7(b5) Gb7(b9) Ebm7(b5) Ab7(b9) Solo: Dbsus4 Db7 Dbsus4 Db7 Absus4 Ab7 Absus4 Ab7 Dbsus4 Db7 Dbsus4 Db7 Absus4 Ab7 Absus4 Ab7 Ebsus4 Eb7 Dbsus4 Db7 Asus4 A7 Asus4 A7 For the fun or for the money. For the fuck of it or just because Asus4 A7 Asus4 A7 Listen, friend, this is no damn picnic but let’s imagine for a minute that it was Asus4 A7 Asus4 A7 Who will feast on this buzzard’s banquet? Who will render my heroic bust? Asus4 A7 Asus4 A7 Who will choke on my lachrymose musings? Who will eat my zero dust? F/A G7 F/A G7 Who will wear this puke-streaked tunic? Who shall gorge on this cup of spleen? F/A G7 C C/Db Who will sing about the good bad and ugly? And all and everything in between? Darkling down — this is god’s good man On his hands and knees livin’ god’s good plan Darkling down — and we don’t know still When he’ll come around if he ever will Darkling down — on a zero-G dive And we just can’t say will the fool survive Darkling down — in a seven-G turn Glowing like a coal in the afterburn

Lyle Mays passed away this week, pianist, composer, arranger and long time music partner of Pat Metheny and his group. I know Walter and Donald were fans of Pat Metheny. The song below is off one of Lyle's solo albums, called 'Feet First' and he had Steely Dan in mind when he wrote it. I saw the Pat Metheny Group many times. halC

Downtown Canon is one of my absolute favorite songs that Walter recorded. The lyrics really transport you to an emotional place even if you've never been in the narrator's shoes. The chords are complex in a way that really helps create a depth of feeling; they're not outright happy or outright sad, so the lyrics change how the same chords hit you as the song progresses. Walter's bouncy bass line with its muted thumping tone gives it an energy that is somewhat unsettling compared to the rest of the music. The bass keeps you on your toes and makes you feel a bit conflicted -- it's optimistic and weary at the same time. Going back to the lyrics, "I'm leaving with all I need, but less than I deserve" really showcases that feeling. Also, fun fact: the song on the album is actually pitched slightly sharp, about 13 cents, which catches your ear as well. I spent some time really breaking this song down trying to figure out how to make it translate to playing it on a single instrument rather than having a full band of instruments add the color of the chords. My friend Chris figured out some of the chords, but it didn't sound quite right. I sat down at the piano and really broke it down chord by chord, looping each chord and playing with chord voicings to get the right approximation of what the song was trying to say. Once I finished, I realized that it was very similar to what my friend had come up with, but one different note in a chord here or there made a world of difference in how it felt. That really shows how meticulously crafted songs like this are. I have attached a sheet just listing chord names, and I have also attached sheet music... 1) On the chord sheet, note that the chord names in the intro are not really accurate to the arpeggio pattern being played -- I decided it would be more confusing to try and list those chord names since it overall is just following the pattern of the second half of the chorus. The sheet music shows the individual notes to play. 2) The sheet music is not laid out in the most accurate way, it's just a guide. I used MuseScore to take a MIDI file I recorded of me playing the chords to generate the sheet music, and then I added some info to it. The measures, rests, etc. may not be accurate at all, so stick to just the notes to see how each chord is played, and you should be able to piece it together with the record. 3) The chords I listed are just simple block chords. Use them as starting points only! If you listen to what the Rhodes does in the recording, you'll see how other notes get thrown in for color, the voicings of the chords change as the song progresses, etc. It's jazzy music, don't be a stick in the mud, have fun with it!